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*English translation by JemmaInternational.org
*srt file by Dani_otd and Globemallow

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Bea:     Ben,

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Bea:      ... this thing with us,

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Bea:      ... it is never going to work.

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Bea:     We're through with it.

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Ben:     That wasn't my question.

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Ben:     Do you love me,

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Ben:     ... or do you not love me?

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Bea:     I like you.

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Bea:     Very much.

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Bea:     But I don't love you.

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Bea:     I'm sorry.

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Frank:     OK, I'll be honest.

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Frank:     I had to listen to it two or three times before I recognized the strength of the song.

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Frank:     But, you know, it's similar to that song by Lena from the Song Contest.

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Frank:     In the beginning, everybody thought, "What's that?" as well. But then, all of a sudden,

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Frank:     BOOM! Everyone was singing it on the streets.

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Frank:     And even if maybe you are thinking right now ...

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Frank:     I haven't recognized the strength yet,

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Frank:      ... on stage, at the latest, you will notice that it is your song.

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Luzi:     I really don't think that this is my song.

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Frank:     OK Luzi, let's be frank.

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Frank:     I've been in this business for years and ...

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Frank:      ... during that time I have worked with many artists and a lot of them sold many records.

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Luzi:     I've seen the Golden Records outside.

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Frank:     Right.

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Frank:     This thing, here,

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Frank:     ... you get it with the right artist.

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Frank:     You need a feeling for the moment, for the pulse of the target group.

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Frank:     But if the audience out there is up for a new talent,

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Frank:     I'll give them a new talent ... and tonight that's you, Luzi.

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Luzi:     But I'm not even sure if that is my music style.

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Sonja:     I'm going for coffee.

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Frank:     Uhh ... Ok, Luzi.

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Frank:     What is your style?

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*Passerby:     Hey, watch it, you idiot!
*Ben:     Piss off, bugger!

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Luzi:     Yeah, it's OK.

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Luzi:     But my point is ...

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Luzi:     I want to win people over with myself and my music and ...

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Luzi:     I don't feel like getting twisted and changed until I don't recognize myself anymore is working out.

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Frank:     Fine.

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Frank:     If you don't want any of this,

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Frank:     ... what are you doing here?

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Frank:     Do you want to become a singer?

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Luzi:     Yes.

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Frank:     Do you want me to be your producer?

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Luzi:     Yes.

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Frank:     Good.

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Frank:     Then sit down.

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Frank:     And listen to me carefully.

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Sonja:     Can I help you in any way?

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Miriam:     No.

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Miriam:     I just thought it's rather funny, isn't it?

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Sonja:     And what is so funny?

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Miriam:     Well, because we just saw each other yesterday, at the dance.

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Sonja:     Yes.

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Sonja:     Right.

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Miriam:     But you aren't mad, or anything ...

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Sonja:     Why should I be mad?

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Miriam:     Well, because of Piet.

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Miriam:     I mean, not because of Piet but because I danced with Piet.

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Sonja:     The partners were drawn, it wasn't as if it was Piet's decision.

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Miriam:     Yes.

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Miriam:     That's true.

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Frank:     And bam!, "Zack and The Glass House" sold out with 4000 people.

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Frank:     Two months later, 17,000 at Megaworld.

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Frank:     I mean, they started in some shitty small pub in Berlin-Kreuzberg.

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Frank:     And do you know why "Moods on the Moon" are so successful today?

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Luzi:     Because they are such good musicians?

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Frank:     That too. But mainly because they understand how the music business works.

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Frank:     I mean, look at the guys.

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Frank:     They look fantastic. They are successful.

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Frank:     They were three people in the beginning.

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Frank:     I added two more because I know how such a band works in order to have success - to sell records.

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Sonja:     The little one over there,

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Sonja:     ... has she been in contact with Frank for long?

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Miriam:     Who?

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Miriam:     Oh, Luzi.

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Sonja:     Yes, Luzi.

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Miriam:     Not for long.

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Miriam:     I think Frank did a first recording with her.

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Miriam:     But I'm new here myself.

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Sonja:     I see.

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Frank:     So, Luzi.

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Frank:     Can you make this song your own?

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Luzi:     Yeah ...

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Luzi:     Yes. I believe so.

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Frank:     Good.

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Frank:     If you trust me and we work together, you'll be playing in sold-out halls.

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Frank:     Sounds good?

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Luzi:     Yes,

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Luzi:     ... sounds great.

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Helena:     Yes?

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Helena:     Frau Jaeger.

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Frau Jaeger:     Hello Frau Schmidt-Heisig.

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Frau Jaeger:     I wanted to ask you a favour.

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Frau Jaeger:     A friend of mine is sick.

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Frau Jaeger:     She has to stay in bed and can't take care of grocery shopping.

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Helena:     And now you wanted to ask if you could leave work earlier so that you could help her.

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*Frau Jaeger:     Would that be possible?
*Helena:     Of course.

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Frau Jaeger:     Great.

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*Michael:     Oh, sorry, I can come back later.
*Helena:     No no,

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Helena:     ... it's alright.

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Frau Jaeger:     Thank you so so much, it's very kind.

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Michael:     Ingrid.

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Helena:     Michael, how are you?

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Michael:     I'm very well, thanks.

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Michael:     How are you?

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Helena:     I'm fine, as well.

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Michael:     Good.

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Michael:     I don't want to keep you long, I just wanted to give you this.

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Helena:     What is it?

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Helena:     An application for leave?

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Michael:     Yes, I have checked the substitution schedule and ...

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Michael:     ... realized that Huber and Baumann could fill in for us.

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Helena:     For ... us?

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Michael:     Yes, I've told you that Bea and I are going to Venice.

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Michael:     You're surprised, aren't you?

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Michael:     Because last evening wasn't very pleasant.

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Michael:     But I have spoken with Bea and she ...

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Michael:     ... understands that ...

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Michael:     ... the lapse with you didn't mean anything.

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Michael:     She has forgiven me.

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Helena:     That is ...

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Helena:     ... wonderful. I'm happy for you.

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Michael:     Yes, I'm happy too.

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Michael:     We are happy.

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Michael:     And that means that the application is granted, right?

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Michael:     There are no reasons against it really.

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Michael:     Thank you.

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Michael:     Helena.

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Helena:     Frau Jaeger, please get me the substitution schedules.

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Helena:     What were you thinking, letting the entire teaching staff make changes in them!

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Frau Jaeger:     But we always do that.

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Helena:     You might have always done that so far ...

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Helena:     ... but that's going to change right now.

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Helena:     Changes have to be signed off by me, is that clear?

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Frau Jaeger:     OK. I will draft a memo first thing tomorrow morning.

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Helena:     Please do it now.

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Frau Jaeger:     But I wanted to visit my friend.

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Helena:     You really should have thought about that earlier. Now please ...

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Bodo:     What kind of elevator music is that?

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Luzi:     Ah, nothing.

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Bodo:     Show me!

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Emma:     Is that the song that you recorded with Frank in the studio?

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Luzi:     No, we haven't recorded anything, yet. This is ...

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Luzi:     ... the instrumental version.

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Luzi:     Well, the first draft.

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Bodo:     So, let's hear it.

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Luzi:     I ... I'm not ready.

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Jenny:     They wrote it especially for you?

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Luzi:     Well, yes.

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Emma:     Well, then we want to hear it.

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Bea:     Hey guys!

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Bea:     Can we start?

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Bodo:     Luzi brought her very first song. Frank wrote it just for her!

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Luzi:     Well, it was really Dora Swan.

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Emma:     Dora Swan wrote this song for you?

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Emma:     THE Dora Swan?

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Luzi:     Yes, THE Dora Swan, but it's just a rough draft.

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Bea:     You don't like the song very much.

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Luzi:     I don't know.

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Luzi:     And I don't want to gripe about it and I'm totally glad that Frank is doing something with me at all. But ...

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Luzi:     I don't know.

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Bea:     Why don't you just sing it for us,

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Bea:     Hm?

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Bea:     Bodo, will you accompany her?

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Sonja:     I need the current version of the contract for the little one.

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Miriam:     Luzi.

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Sonja:     And the GEMA forms.

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Miriam:     Yes.

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*Miriam:     I'll do it in a moment.
*Sonja:     Now!

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Miriam:     Yes.

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Miriam:     Alright, now.

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Piet:     Hey.

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Miriam:     What are you doing here?

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Piet:     Well, I wanted to talk to you about yesterday.

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Miriam:     Oh, there it is.

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Miriam:     I've been looking all over for it.

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Sonja:     Piet?

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Sonja:     What are you doing here?

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Miriam:     Yes, Sonja is working for Frank as a composer.

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Miriam:     Funny, isn't it?

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Piet:     Why didn't you tell me?

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Sonja:     I don't like to make a big deal out of it.

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Sonja:     What are you doing here? I thought the two of you weren't so close.

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Miriam:     Yes,

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Miriam:     Piet is here because he wanted to talk to me about Lara.

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Miriam:     And of course,

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Miriam:     I can help her with her math homework. It's no problem at all.

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Piet:     Ah, cool.

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Sonja:     Tom?

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Sonja:     Hi! Yes.

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Sonja:     Exactly. Yes.

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Sonja:     Tonight?

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Bea:     Well, that was quite okay.

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Luzi:     Quite okay?

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Luzi:     That sucked!

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Bea:     Well, it didn't suck really.

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Luzi:     It did.

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Luzi:     I'm going to make a complete fool of myself if I'll sing it tonight like this.

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Bodo:     What's this singing tonight stuff?

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Emma:     Where are you singing this tonight?

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Jenny:     Don't say you already have your first gig?

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Luzi:     Well, actually it's just a very small event at Chulos.

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Bodo:     At Chulos?

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Bodo:     Cool!

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Luzi:     There will be some music stooges.

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Luzi:     Frank wants to introduce the club as the new in location.

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Luzi:     And me,

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Luzi:     ... as the new "music talent".

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Jenny:     Yeeeaaah.

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Jenny:     Is it public?

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Luzi:     No idea.

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Bea:     We'll be coming, of course.

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Bodo:     Of course, we're coming.

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Bodo:     We are your new entourage.

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Bodo:     You better get used to it!

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Bea:     Luzi, you have to try somehow to give the song your own personal touch.

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Bea:     To make it your song.

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Luzi:     Yes, Frank said the same thing but ...

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Luzi:     I always lose it in the middle part somehow.

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Bea:     Let me see.

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Bea:     I don't want to be alone right now.

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Bea:     I like you.

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Bea:     Very much.

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Bea:     But I don't love you.

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Ben:     Hey.

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Ben:     I'll have a double vodka.

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Sebastian:     Don't you think it's a little early for a vodka?

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Ben:     A double vodka.

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Ben:     And no, I don't think it's too early.

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Ben:     So ...

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Sebastian:     It doesn't work like this here.

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Sebastian:     Either you talk to me normally or you can get lost right this minute.

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Sebastian:     And there's no way you'll get a vodka at this time of day.

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Ben:     Cheers.

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Ben:     Can I have a whiskey instead?

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Sebastian:     Take a guess.

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Frank:     Yes, so this is the Chulos.

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Frank:     Small club,

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Frank:     ... young music scene,

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Frank:     ... look around. Of course there will be a small welcome drink.

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Frank:     Ah, Caro ...

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Ben:     What's that going to be?

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Sebastian:     That ...

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Sebastian:     ... is going to be an event from RaumZeit.

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Sebastian:     They want to hold regular concerts here.

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Sebastian:     Peters is showing his business partners the location.

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Sebastian:     Luzi is going to perform tonight.

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Sebastian:     Didn't she tell you?

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Ben:     No, she didn't.

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Sebastian:     I always thought the two of you would make a great couple.

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Sebastian:     She's nice.

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Sebastian:     And your age.

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Ben:     Keep the change.

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Caro:     I'd like 15 Proseccos.

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Sonja:     Well, I'm curious.

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Sonja:     Luzi didn't really seem easy.

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Frank:     And that is exactly her strength.

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Sonja:     Aren't those the artists who are always trouble?

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Frank:     Dora, she doesn't have any airs and graces. She's serious.

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Frank:     Sometimes too serious. That's why you have to convince her. But ...

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Frank:     ... if she believes in it,

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Frank:     ... she'll give everything.

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Sonja:     And you convinced her?

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Frank:     Dora, you know me.

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Sonja:     Yes, sometimes too well, I fear.

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Sonja:     That's why I let myself be persuaded by you over and over.

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Frank:     Yes, but you have never regretted it yet.

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Frank:     And that's why tonight will be a great evening for the two of us.

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Frank:     Ah, Marsha!

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Frank:     Hey, hello!

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Frank:     Well if it isn't my favourite booker.

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Frank:     And? What do you say?

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Marsha:     Well, the location isn't bad.

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Frank:     Yes, and I'm curious what you will think of Luzi.

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Frank:     You know, your opinion is very important to me.

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Marsha:     What's her name again? Ba-zen-ki?

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*Frank:     Beschenko.
*Marsha:     Beschenko.

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Frank:     She will get a stage name, of course.

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Marsha:     She'll need it.

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Marsha:     What kind of genre is it?

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Frank:     I'd say, it's a mix of Katy Perry meets Avril Lavigne.

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Marsha:     Have to see her, then I can give you an opinion.

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Frank:     You'll be thrilled. It's really the time for a new solo artist.

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Marsha:     When will she be coming on?

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Frank:     Any minute.

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Bea:     Good.

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Michael:     What?

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Bea:     The wine.

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Michael:     Mhm,

293
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Michael:     ... yes, it's really good.

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Michael:     It's a Merlot.

295
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Michael:     The application for leave has been granted.

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Bea:     So you said, yes.

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Michael:     Are you looking forward to Venice?

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Bea:     It'll be good for us.

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Michael:     I think so too.

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Bea:     Really good.

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Michael:     Yeah.

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Michael:     You've said earlier, you wanted to go to Chulos?

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Bea:     Yes, Luzi has a gig ...

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Bea:     ... in front of some people from the music industry.

305
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Bea:     She is pretty nervous and needs moral support.

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Michael:     Of course.

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Michael:     Should I come with you?

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Bea:     You don't have to.

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Michael:     I don't ...

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Bea:     I'll be going now so I won't be late.

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Michael:     Yes.

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Michael:     Have fun.

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*Bea:     I'll call you.
*Michael:     Mm hm.

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Michael:     See you later.

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Frank:     Did you practice?

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Luzi:     Yes, with the STAG.

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Frank:     And did you crack the song?

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Luzi:     I think so.

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Frank:     OK, Luzi, then remember ...

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Frank:     ... if you can wow the people here tonight then ...

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Frank:     ... it will be the start of your career.

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Frank:     OK? Good, then go backstage now and I will announce you.

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Frank:     Hello. Good afternoon.

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Frank:     Yes, I am pleased that so many of you are here.

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Frank:     I don't want to talk too much or beat around the bush,

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Frank:     I want to introduce a great artist to all of you!

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Frank:     From whom we'll hopefully hear more!

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Frank:     Here's Luzi!

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Bea:     Luzi.

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Bea:     Hey.

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Bea:     Stage fright?

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Luzi:     I can't go out there.

333
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Luzi:     I won't go out there and sing this ridiculous song.

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Luzi:     You heard it yourself.

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Luzi:     And look what I look like!

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Bea:     That's not you.

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Bea:     Do you have your own clothes here?

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Luzi:     Yes, why?

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Bea:     Because you can't go on stage naked.

340
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Luzi:     I ... I won't go on stage.

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Bea:     Yes, you will.

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Bea:     And you know why?

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Bea:     Because you are Luzi Beschenko.

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Luzi:     Hello.

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Luzi:     Before I start to sing, I am sorry but I'll have to do something different.

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Frank:     What is this? Where is her outfit?

347
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Caro:     I have no idea!

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Luzi:     Before I start to sing, I would like to thank someone.

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Luzi:     And that is Frank Peters.

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Luzi:     Frank told me to be authentic.

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Luzi:     And well, I am now.

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Luzi:     My name is Luzi Beschenko,

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Luzi:     ... and I would like to ask three people on stage: Bodo, Emma and Jenny.

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Luzi:     You know the song, you rehearsed it with me today.

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Fin: